The biggest curveball of all was an unstoppable chart phenomenon few saw coming a year ago: Olivia Rodrigo, who arrived out of nowhere (or at least the Disney Channel) to rewrite the rules of the Top 40 with her instant-classic debut, Sour?
It was a fantastic year for indie singer-songwriters whose storytelling hit as hard as their guitars (Lucy Dacus, Snail Mail) and for pop synthesists from across the Spanish-speaking world (from Afro-Cuban hip-hop fusionist Cimafunk to omnidirectional reggaeton showman Rauw Alejandro)